When I had cable TV in a time before antennas were useless, Cinemax showed this one night and I watched it having no idea what it was. ALLEGEDLY I have a problem with TV where I will lay there for hours watching whatever is on and flip around the channels during commercials searching for something better until I fall asleep ignoring everything else in real life, all pre-Tivo style. But this movie stuck with me for days afterwards. It's one of those movies where you think, "I'm watching a movie of a dream I had - or will have" and I am Ok with that. I love it. IT'S MINE. I still rarely meet anyone who has seen it or gives a rat's ass about seeing it / talking about it / listening to me prattle on about it. Here's the thing, I think it's one of those movies where if you stumble upon it by mistake knowing nothing about it, no hype, no expectations, it's the raddest thing ever. BUT if someone is all, YOUHAVETOSEETHIS, then afterwards you're like, "eh, it was Ok...I guess." I remember that happening to me with The Forbidden Zone.
A few Halloweens after I saw Black Moon I debated dressing up as Rex Harrison's daughter's character in the movie. Then, I was like, it's a rust-colored orangey-brown skirt, a white button-up cotton blouse, and a light pink sweater - I'm pretty sure I can wear this all the time and it's no big deal. After all these years, I still cannot find a non-itchy, non-Acrylic pink sweater or that elusive rust-colored skirt that isn't too A-line or suede or wide wale corduroy. It's great how movies can still inspire fashion. I read a few books years ago about fashion designers for Hollywood movies and how influential they were. Edith Head wrote a great one that was also gossipy. My number one takeaway from the book was that Bette Davis never liked wearing bras and had long, big boobz so dresses and neck lines had to be cut special as to not make her bewbs look weird. Now about books, the sad thing is, when you check-out art books from the library, they are usually trashed and the pages that have images on them are suddenly not present. I'm like, where is that photo of the ostrich feather gold inlay gown with the 10 foot train from that obscure, lost 1920s silent film no one will ever see again? Ohhh, right, someone ripped that page out cos they're shitheads and don't believe in Xerox or are from the future just to steer my anger into yet another cauldron of hate.
Anyway, more about Black Moon, it's by Louis Malle, made in the 70s, filmed at some French estate - maybe his?, no plot - make your own kind of thing but not a complete Marienbad, talking animals milling about, donkey with unicorn horn glued to head, men vs women war going on, British accents, annoying old lady, young guy that sorta looks like the young guy from Suspiria, big glasses of milk, a weird sister/bro thing happening, naked kids running around, not much dialogue, kids in make-up at the end, piano playing, bugs, moss, etc... then it just ends and you're like, Ok, fine, whatever. But then you think about it for days afterward. That dream world gets stuck in your head. You want your own French estate in which to traipse around and chase unicorned donkeys...
And I live in a wonderful city where I could've roderidden my bike (pretending it's a unicorned donkey) to see this movie for free (christsakes) at this newish arthouse/food situation in DUMBO called ReRun (yet another new arthouse
Oh yeah! And I can finally get rid of my less than awesome AVI file of Black Moon that I downloaded from magic town internet system land that has a German man voice dubbing all the voices with simultaneous Spanish subtitles at the bottom. Yaaaaaay!














